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Chess = Life=20 Magazine

2007 = = December = = Timing is=20 Everything

gry8birnv = kasparov chess news =

Timing is Everything

By Jon=20 Jacobs

December 3, 2007 =

It=E2=80=99s Thursday evening at New = York=E2=80=99s historic=20 Marshall Chess Club, and round one of the weekly =E2=80=9C4 Rated = Games Tonight=E2=80=9D=20 Game/30 tournament is getting under way. Up and down two rows of = antique=20 wood chess tables, players adjust pieces, shake hands, start = clocks.=20

Come back 55 minutes later and what do you see? Players = still move=20 chess pieces, but now they=E2=80=99re playing not chess, but = something more like=20 table tennis. Clocks bang, pieces hang, pawns race, flags ascend.=20

At table after table, clock-flags dangle horizontal, then = teeter=20 and fall. Whether you have five seconds left, or 35 seconds, the = only way=20 you=E2=80=99ll find out is the hard way=E2=80=94unless perchance = you checkmate your=20 opponent first, or he checkmates you.

At this critical = stage of=20 each game, manual dexterity rules. The time limit becomes not a = means to=20 an end (a fairly contested chess battle), but an end in = itself=E2=80=94the sole=20 means by which results are determined.

At an all-master, = Game/60=20 tournament a few days later, the scene is much the same. In the = final=20 round, I see a player=E2=80=99s flag fall in a winning position. = His opponent=E2=80=94a=20 champion blitz player whose 2203 =E2=80=9Cregular=E2=80=9D rating = was second-lowest among=20 the 14 entrants=E2=80=94ends up tied for second place.

What=E2=80=99s wrong with this picture?

Delay-capable = digital clocks=20 have been around for more than a decade. Although delay-clocks do = not=20 eliminate time-scrambles, they do permit something resembling = chess to=20 continue when one or both sides have used nearly all their = allotted time.=20 The USCF even adopted a rule some years ago making time-delay = (usually=20 five seconds when the initial or sudden-death time allotment is 30 = minutes=20 or more) the =E2=80=9Cpreferred=E2=80=9D clock choice for most = rated play.=20

Nevertheless, analog clocks remain ubiquitous at = tournaments.=20 Since delay-capable models cost two to four times as much as = analogs, it=E2=80=99s=20 hardly surprising that the =E2=80=9Chouse clock=E2=80=9D at most = chess clubs=E2=80=94pressed into=20 use in club events when neither opponent brought a = clock=E2=80=94is an analog.=20

Less understandable is that a sizable segment of the = playing=20 population continues to rely on their own analog clocks. In fact, = analogs=20 may still outnumber digitals in the real world of USCF-rated=20 play.

There are probably a few blitz specialists out there = who=20 carry analogs to tournaments as a competitive weapon, ever eager = to snag=20 time-forfeit wins from slow-footed opponents who left their = Chronos at=20 home. For the rest of us, however, using the technologically = obsolescent=20 analog clock for serious play is irrational and self-destructive, = from=20 both the artistic and competitive points of view.

Their=20 persistence also is a source of aggravation for tournament = directors=20 across the U.S. who must daily interpret the infamous Rule 14H, = =E2=80=9CDraw=20 claim based on insufficient losing chances.=E2=80=9D This rule was = the TD=20 community=E2=80=99s biggest collective headache until Rule 15A = came along (the=20 abortive =E2=80=9Cmove-then-write=E2=80=9D rule, sometimes wrongly = tagged as the =E2=80=9CMonRoi=20 rule=E2=80=9D). The need for an =E2=80=9Cinsufficient losing = chances=E2=80=9D rule is a direct=20 consequence of the chess-playing public=E2=80=99s stubborn = attachment to outdated=20 analog clocks.

I=E2=80=99ve had more than my share of time = forfeits and=20 similar disasters that might have been averted with the benefit of = either=20 a time-delay or its FIDE-approved cousin, a time increment that is = automatically added after each move. Hearing me moan about my = latest=20 self-inflicted tragedy, a local sage intoned: =E2=80=9CInvest in a = delay=20 clock!=E2=80=9D

Even worse than flagging or losing because = of a=20 time-pressure blunder is having to offer your opponent a draw when = you=E2=80=99re=20 overwhelmingly ahead but you lack sufficient time (or = can=E2=80=99t tell how much=20 time you actually have left) to get to checkmate. Just imagine = this=20 happening after you had pulled off a spectacular sacrifice against = an=20 illustrious opponent=E2=80=94a game that would make gold coins = rain at your feet,=20 if only you had time to finish it properly.

Sicilian = Defense,=20 Najdorf Poisoned Pawn Variation (B97)
Jon Jacobs (2213)
Dmytro Kedyk = (2371)
NY=20 June Game/50 Open, 2003

1. e4 c5=20

In the early months of 2003, Dmytro Kedyk, an = untitled=20 15-year-old, was bagging grandmaster hides in local New York = tournaments=20 at a rate of roughly one per week. His victims included Boris = Kreiman=20 (twice in one month), Alexander Stripunsky, Leonid Yudasin and = Giorgi=20 Kacheishvilli. Just 12 days after our game, he swept a four-round = Swiss=20 where his opponents included GMs Ildar Ibragimov, Jaan Ehlvest and = Pavel=20 Blatny. Hikaru Nakamura joined the list a few weeks=20 later.

2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6 = 6. Bg5 e6=20 7. f4 Qb6

The so-called Poisoned Pawn Variation = was=20 hugely in fashion in the 1960s, when Bobby Fischer employed it = with=20 regularity. In recent times, it has been essayed by GMs Sergey = Karjakin=20 and Garry Kasparov, among others.

8. Qd2 Qxb2 9. = Nb3=20 Qa3

White=E2=80=99s ninth move=E2=80=94an = alternative to the more=20 frequently played 9. Rb1=E2=80=94threatened to seal off the black = queen=E2=80=99s escape=20 with 10. a3. This line had its most famous appearance in games = seven and=20 11 of Fischer=E2=80=99s 1972 world championship match with Boris = Spassky. In the=20 latter game, Spassky, down three points in the match, uncorked a = stunning=20 innovation at move 14 that brought him a quick victory.

In = Game 7,=20 Spassky chose 10. Bd3, the move played in this game. In Game 11, = he=20 improved with 10. Bxf6 gxf6 11. Be2 h5 12. 0-0 Nc6 13. Kh1 Bd7 14. = Nb1!=20 Qb4 15. Qe3 d5? (Better is 15. ... Ne7) 16. exd5 Ne7 17. c4, and = White=20 soon won. A very recent example featured 12. =E2=80=A6 Nd7 13. Kh1 = h4 14. Rad1 h3=20 15. g3 b5 16. Nb1 Qa4 17. Qe3 b4 18. Rd4 a5 19. Nc3 Qc6 20. Nd5 = Qb7 21.=20 Bb5 Bg7 22. Re1 Kf8 23. a4 f5, with a winning position for Black, = GM Vugar=20 Gashimov-GM=E2=80=88Mladen Palac, European Champ- ionship, = Kusadasi 2006 (0=E2=80=931,=20 40).

10. Bd3 Nbd7

GM=E2=80=88Mark = Tseitlin-GM=E2=80=88Lev=20 Psakhis, Tel Aviv 1999, continued 10. =E2=80=A6 Be7 11. 0-0 h6 12. = Bxf6 Bxf6 13.=20 e5 dxe5 14. Ne4 Nd7 15. f5 exf5 16. Rxf5 Be7 17. Qf2 Nf6 18. Nxf6+ = Bxf6=20 19. Rxf6 gxf6 20. Qxf6 Rg8, and Black was better (0=E2=80=931, = 35). In=20 Spassky-Fischer Game 7, White found himself in trouble after 12. = Bh4 Nxe4=20 13. Nxe4 Bxh4 14. f5 exf5 15. Bb5+ axb5 16. Nxd6+ Kf8 17. Nxc8 Nc6 = 18. Nd6=20 Rd8 19. Nxb5 Qe7 20. Qf4 g6.

Although Kedyk also got in = =E2=80=A6 h6=20 followed by =E2=80=A6 Nxe4 in this game, its course indicates = Black should execute=20 this tactic earlier. Once White is castled and has a rook on e1, = it may be=20 too late.

11. 0-0 Be7 12. Nb1?!

A=20 misguided attempt to emulate Spassky=E2=80=99s 14. Nb1! in the = 11th match game=20 cited above. However, the two positions have little in common. = Fritz=E2=80=99s=20 choice here is 12. Qe1 h6 13. Bh4 0-0, followed by either 14. e5 = or 14.=20 Bf2, with Black having the better chances. Another natural = alternative is=20 12. Rae1.

12. ... Qa4 13. c4 h6 14. Nc3 Qc6?=20

Far stronger was 14. ... Qb4!, which would force=20 favorable simplification: 15. Bh4 Nxe4! 16. Nxe4 Qxd2. Now both = 17. Nxd6+=20 Bxd6 18. Nxd2 Nc5, and 17. Nbxd2 Bxh4 18. Nxd6+ Ke7, leave Black a = clear=20 pawn ahead.

15. Bh4 Qc7 16. Rae1 Nxe4=20

Although this wins a second pawn, opening files = for the=20 white rooks with Black=E2=80=99s king still on e8 raises the odds = that fireworks=20 will occur. An interesting alternative brought up by Fritz, which = Najdorf=20 aficionados will recognize from other positions, is 16. ... g5!?. = Play=20 might continue 17. e5 (Black is fine after 17. fxg5 Ng4) 17. ... = gxh4 18.=20 exf6 Nxf6 19. f5 Qb6+ 20. Kh1 e5 21. Be4 h3 22. g3 Bd7. After = Black=20 contests the long diagonal with =E2=80=A6 Bc6, he=E2=80=99ll be on = the way to=20 consolidating his two-pawn lead.

17. Rxe4 Bxh4 18. = f5 Bg5=20

In view of what follows, it may have been wiser = to throw=20 in ...Qb6+ first.

19. Nd5 Qd8? =

This=20 should lose the game, whereas 19. ... Qc6 would maintain good = winning=20 chances. Although the complications are daunting to calculate, the = basis=20 of Black=E2=80=99s decision should be very simple. It boils down = to where the=20 black king will be safer: on d8, where it could go after ... Qc6; = or on=20 c6, where it must land after the text move. On which of those two = squares=20 would you rather park your king?

When making his move = Kedyk would=20 have known I intended to sacrifice my queen, because I had spent = at least=20 15 minutes pondering my last move, and the time control was = Game/50!=20

After 19. =E2=80=A6 Qc6, the sac leads nowhere: 20. fxe6? = Bxd2 21. exd7+=20 Kxd7 22. Rxf7+ Kd8 23. Nxd2 Re8. Instead, Fritz recommends 20. Qe2 = Ne5 and=20 it=E2=80=99s still a fight, but the burden is on White to prove he = has enough=20 compensation for two pawns.

20. fxe6!! Bxd2 21. = exd7+=20

An amusing way to go wrong would be 21. e7??=20 Qa5!

21. ... Kxd7

On 21. ... Kf8 = 22. Re8+=20 Qxe8 23. dxe8=3DQ+ Kxe8 24. Nxd2 Rb8 25. Ne4, White will consume = both the=20 d-pawn and f-pawn.

22. Rxf7+ Kc6 =

Now I saw=20 that 23. Ree7 would compel Black to return his extra material (to = stop 24.=20 Rc7+ followed by mate), leaving White with a won ending. For = example, 23.=20 Ree7 Bd7 24. Be4 Qxe7 (or 24. ... Bg5 25. Nf6+ Kc7 26. Rxd7+ Qxd7 = 27.=20 Rxd7+ Kb8 28. Rxb7+ Kc8 29. Rxg7=E2=80=94Fritz) 25. Nxe7+ Kc7 26. = Nd5+ Kd8 27.=20 Nxd2.

However, in a sudden-death time control with less = than two=20 minutes remaining on my analog clock, I feared I would not be able = to get=20 all the way to mate before my flag fell. Therefore: =

23.=20 Nd4+ Kc5 24. Nb3+ Kc6 25. Nd4+ Kc5, Draw.

For all = the=20 weekend warriors like me who dream of someday creating an object = of beauty=20 at the board, to end a game in this manner after making a move = like 20.=20 fxe6 is nothing short of tragic.

Just a few months later,=20 lightning struck again. This time my opponent was another = skyrocketing=20 junior, Salvijus Bercys. Although only 13 when he and his family = emigrated=20 to the U.S. in 2003, Bercys had already competed in the national=20 championship finals in his native Lithuania. He won the U.S. = Junior Open=20 that year, took clear second in the U.S. Junior Invitational a = year later,=20 and by June 2006 had become the highest rated 16-year-old in the = U.S. He=20 was awarded the international master title in January = 2007.

Sicilian = Defense,=20 Irregular Variation (B20)
Jon=20 Jacobs (2162)
Salvijus Bercys (2322)
Marshall Chess Club = Thursday=20 Game/30, January 2004

1. e4 c5 2. d3=20

Innocuous if met properly, this line packs a = deceptive=20 punch if Black is tempted to make an early central land-grab. It = has a=20 surprising history, which apparently is associated with at least = one top=20 U.S. female player.

My initial encounter with it began = like this:=20 1. e4 c5 2. d3 Nc6 3. g3 d5 4. exd5 Qxd5 5. Nf3 Bg4 6. Bg2 Nd4 7. = Nbd2=20 Qe6+ 8. Kf1. As Black I had quickly played the seemingly obvious = moves,=20 and blithely assumed I must be winning because White=E2=80=99s = pieces were tied to=20 defense of the pinned knight and she had lost the castling = privilege. Now,=20 as I first stopped to seriously assess the position, I realized = with=20 mounting horror that my first impression was completely wrong. It = is Black=20 who must struggle for equality here, since he cannot maintain the = pin on=20 the d1-h5 diagonal after White plays h2-h3. Once the pin is = removed, Black=20 will pay the penalty for his backward development and weakness = along the=20 h1-a8 diagonal.

For instance, the natural continuation 8. = =E2=80=A6 0-0-0=20 9. h3 Bh5? runs smack into 10. Nxd4 Bxd1 11. Nxe6 fxe6 12. Ne4! = Bxc2 (or=20 12. =E2=80=A6 b6 13. Ng5) 13. Nxc5 Bxd3+ 14. Nxd3 Rxd3 15. Ke2 = followed by 16.=20 Be3, and the Black queenside will be shredded before his kingside = men even=20 make it out of the box. So Black must meet 9. h3 with 9. =E2=80=A6 = Bf5 or 9. ...=20 Bxf3. White then continues with Nxd4 followed by moves like Bf4, = Qf3 and=20 c2-c3=E2=80=94and it=E2=80=99s clear that Black=E2=80=99s king, = not White=E2=80=99s, will soon be a=20 target. Black also gets the worse of it after 8. =E2=80=A6 Bh3 9. = b4! (Fritz) 9.=20 ... Nxf3 10. Qxf3.

Realizing how bad my game was, I decided = to=20 retreat my advanced knight and rush to catch up in development, = even if it=20 meant giving up my c-pawn. After 8. =E2=80=A6 Nf6 (Fritz = recommends 8. =E2=80=A6 Qa6!? 9.=20 h3 Bh5 10. g4 Bg6 11. Nxd4 cxd4 12. Nb3) 9. h3 Bxf3 10. Nxf3 Nc6 = (10. ...=20 0-0-0?? loses the Exchange to 11. Ng5) 11. Be3 g6 (11. ... b6? 12. = Ne5)=20 12. Qd2 Rd8 13. Qc3 Bg7 (13. ... b6? 14. Re1! Qd7 15. Bg5 wins a = piece=20 because of the pins along the e-file and the long diagonal) 14. = Ng5 Qd7=20 15. Qxc5 0-0 16. Re1, White had a =E2=80=9Cfree=E2=80=9D extra = pawn. Tatiana=20 Vayserberg-Jon Jacobs, New York June Game/50 Open, 2003. =

The ease=20 with which I got into difficulties made quite an impression. Being = a great=20 admirer of deceptive tactics, I soon adopted the variation myself. = I even=20 tried an =E2=80=9Caccelerated=E2=80=9D version with 2. g3, = inviting an immediate ... d5.=20

Two and a half years later, while reading GM Alex = Chernin=E2=80=99s inside=20 account of the U.S. women=E2=80=99s team performance at the 2004 = Calvia Olympiad=20 (=E2=80=9CFinding the Formula For Success,=E2=80=9D Chess Life, = January-February, 2006), I=20 learned that the 2. g3 system had been a favorite of former U.S. = women=E2=80=99s=20 champion, WGM Anna Zatonskih. In January 2006, I buttonholed = Zatonskih at=20 a tournament and asked her about it. She replied that she had = given up the=20 line--apparently because if Black eschews an early ... d7-d5 and = instead=20 develops normally with ... g7-g6, ... Bg7, ... e7-e6, ... Nge7 = etc., White=20 has nothing better than transposing into a normal closed Sicilian = set-up.=20

Against 2. d3, Black also has the drawing line given in = Nunn=E2=80=99s=20 Chess Openings: 2. =E2=80=A6 Nc6 3. g3 d5 4. exd5 Qxd5 5. = Nf3 Nd4 6. Bg2=20 Bh3! 7. Bxh3 (7. 0-0 Bxg2 also gives equal chances according to = NCO,=20 citing GM Aleksa Strikovic-GM Mihai Suba, Saragossa 1995) 7. ... = Nxf3+ 8.=20 Kf1 Nd2+ 9. Kg1 Nf3+.

2. ... d5 3. exd5 Qxd5=20

Yet another good alternative is 3. ... Nf6! 4. c4 = e6=E2=80=94a=20 promising gambit that works well in similar positions. If White = refrains=20 from 4. c4, Black will enjoy a space advantage after recapturing = the pawn=20 with his knight. Because of this, I think White=E2=80=99s = objectively best course=20 is to avoid 3. exd5 and instead steer toward a King=E2=80=99s = Indian reversed with=20 3. Nd2.

4. Nc3 Qd7!?

This = odd-looking=20 placement won=E2=80=99t look so odd once Black fianchettoes his = light-squared=20 bishop. Seeking a way to get in a quick d3-d4, I discovered a = strong=20 counter.

5. Be3 e5 6. f4! exf4 7. Bxf4=20

White has won the cat-and-mouse game of the = opening, as=20 he will soon castle long and threaten to favorably open the center = with=20 d3-d4. Black could not maintain the central tension, since after = 6. ...=20 Nc6 7. Nf3 there is no good way to guard e5. He must now play = carefully if=20 he is to avoid falling behind.

7. ... Be7 8. Nf3 = Nf6 9.=20 Qd2 0-0 10. 0-0-0 Nc6 11. Ne5 Nxe5 12. Bxe5 b5 13. Qg5 Ne8=20

Black had a number of good alternatives (13. = =E2=80=A6 h6 14. Qg3=20 Ng4; or 13. =E2=80=A6 Qg4; or 13. =E2=80=A6 b4), but he wants to = prove the white queen is=20 misplaced.

14. Qg3 f6 15. Bf4 b4 16. Ne4 Qd5 17. = b3?=20

White eyes an eventual Bc4 but pays a high price = by=20 weakening the dark squares around his king. Instead, the = straightforward=20 17. c4! bxc3 e.p. 18. Nxc3 would give the first player a clear = edge since=20 he will soon achieve d3-d4 without opening the gates to his=20 palace.

17. ... f5 18. Ng5 Qd4 19. Re1 Bf6=20

Black, who is playing for a win, concluded that = ideas=20 based on ... Qa1+ would achieve nothing better than perpetual = check. But=20 the text move hands me the chance to play Be5 and chase the black = queen=20 away from my leaky palace. After that, the focus of activity = begins to=20 shift in the direction of Black=E2=80=99s king. (A move earlier, = 19. Be5?? would=20 have failed to 19. ... Bxg5+).

20. Be5 Qd8=20

If 20. ... Bxe5 21. Qxe5 Nf6 22. Nf3, the Black = c-pawn=20 will fall whether he trades queens or not. For example, 22. = =E2=80=A6 Qxe5 23.=20 Rxe5 Nd7 24. Rd5 a5 25. Ne5 Nxe5 26. Rxe5 a4 27. Rxc5. =

21.=20 Nf3 Bb7 22. d4!?

Nimzovich wrote of a blockaded = pawn=E2=80=99s=20 =E2=80=9Clust to expand.=E2=80=9D Well, this pawn has been lusting = to reach d4 ever since=20 move 2! Before snatching it, Black should now interpolate 22. = =E2=80=A6 Bxf3 to=20 remove one important potential attacker. Then, after either 23. = gxf3 Bh4,=20 or 23. Qxf3 cxd4, White would have a harder time justifying his = material=20 sacrifice than in the game.

22. ... cxd4? 23. Bc4+ = Kh8 24.=20 Nxd4 Bh4

A great deal of firepower is trained on = the=20 black king. But he=E2=80=99s got g7 covered, and is about to = remove one of his=20 opponent=E2=80=99s heavy pieces. For the attack to succeed, White = needs a second=20 line of entry. How much would it be worth to clear away both = sides=E2=80=99=20 h-pawns? Exactly a queen plus a rook!

25. Ne6 Bxg3 = 26.=20 hxg3!!

Playing like this will grow hair on your = chest ...=20 even if you=E2=80=99re a girl!

The sacrificial idea faintly = echoes Wilhelm=20 Steinitz-Emanuel Lasker, St. Petersburg 1895/6, where White let an = enemy=20 pawn capture his bishop on g3 to obtain an open h-file. However, I = had=20 never seen that game before playing this one.

I banged out = my move=20 with a flourish and stared Bercys in the eye. But a little = =E2=80=9Cplay-acting=E2=80=9D a=20 la Simon Webb (Chess For Tigers) might have served me = better. If=20 instead of projecting confidence, I had feigned despair, then my = opponent=20 might have felt more inclined to preserve his queen. That would = play into=20 my hands=E2=80=94although, as will be seen, Black could still hold = the game even=20 then.

In any event, the move 26. hxg3 did have a visible = impact:=20 my young opponent nearly fell out of his chair. Then, as befits = someone=20 with the extensive tournament experience he already had, he = collected=20 himself, coolly appraised the new situation, and chose a defensive = move=20 that forecloses White=E2=80=99s most dangerous = possibilities.

26.=20 ... Nf6

If 26. ... Qe7, then 27. Rxh7+! Kxh7 28. = Rh1+.=20 Then 28. =E2=80=A6 Kg6?? begins a death march that would end with = the black king=20 getting checkmated on his opposite number=E2=80=99s home square, = e1! The reader=20 can work out the gory details.

So 28. =E2=80=A6 Kg8 is = forced. Then, 29.=20 Nxf8+ Qf7!! (of course not 29. ... Kxf8?? 30. Rh8 mate) 30. Bxf7+ = (no=20 better is 30. Ng6 Qxc4 31. bxc4 Kf7) 30. ... Kxf7 31. Nh7 Bxg2 32. = Rg1 Bc6=20 33. g4 Kg6 34. Nf8+ Kf7 35. Nh7 with a draw by repetition is how = Fritz=20 thinks the game should conclude. Indeed, that seems a fitting = finish, as=20 the position after 30. =E2=80=A6 Kxf7 presents few winning chances = for either=20 side.

27. Nxd8 Raxd8

Chances are = about=20 equal. From here the game devolved into a time scramble in which = Black=20 soon lost his way despite having substantially more time than = White.=20

28. Rh4 h6 29. Bc7 Rd7 30. Bf4 Be4 31. Re2 Rfd8 = 32. Be5=20 Rf8 33. g4 Nxg4 34. Rxg4 fxg4 35. Rxe4 Re7 36. Bd6 Rxe4 37. Bxf8, = Draw=20 agreed.

By now White is clearly winning. Fifteen = moves=20 later, I had harvested both black queenside pawns and finally = queened one=20 of my own pawns. But I could not tell from looking at the analog=20 clock-face whether I had 25 seconds left=E2=80=94ample time to = mate my opponent=E2=80=94or=20 just 5 seconds. So I chickened out. Draw.

After two such = debacles=20 in a six-month span, it=E2=80=99s no wonder I heeded my local = sage=E2=80=99s injunction to=20 =E2=80=9Cinvest in a delay clock!=E2=80=9D

If I have = succeeded in persuading you to=20 do the same, remember an essential codicil: always arrive at your = board on=20 time. If you arrive late, you hand your opponent a slew of = valuable=20 options: his choice of clock type; clock placement; and clock = setting.=20

At the 2004 World Open, I arrived late for a game to=20 find:

1) The clock was digital (a Chronos), but was set = with no=20 time-delay.

2) My time was running even though my opponent = (White)=20 had not made his first move.
When I complained to a TD, he told = me that=20 by arriving late I had lost the right to have the clock set in the = manner=20 =E2=80=9Cpreferred=E2=80=9D by the USCF rule book (five-second = delay). He also said my=20 opponent was within his rights to start Black=E2=80=99s clock = without making=20 White=E2=80=99s first move.

Here is how that game = went:

Closed = Catalan=20 (E09)
Mark Kurtzman = (2199)
Jon Jacobs (2142)
2004 World Open (Under-2200=20 Section)

1. d4 Nf6 2. c4 e6 3. Nf3 b6 = 4. g3 Ba6=20 5. Qc2 d5 6. Nbd2 Be7 7. Bg2 c6 8. 0-0 0-0 9. b3 Nbd7 10. Bb2 Rc8 = 11. Rac1=20 b5 12. c5 b4 13. Rfe1 Bb5 14. Ne5 Nxe5 15. dxe5 Nd7 16. Bd4 f5! = 17. f3 Qe8=20 18. Qb2 Qh5 19. e4 f4 20. g4 Qg6 21. Bf1 a6 22. Bxb5 axb5 23. Nf1 = h5 24.=20 h3 Kf7 25. exd5 cxd5 26. Qd2 Nxc5

By now the clock = situation had reversed, and White was the one in time=20 pressure.

27. Qxf4+ Kg8 28. Qg3 Qd3 29. Be3 h4 30. = Qg2 d4!=20 31. Rcd1 dxe3! 32. Rxd3 Nxd3 33. Rxe3 Bc5 34. Kh2 Bxe3 35. Nxe3 = Ne1 36.=20 Qe2 Nxf3+ 37. Kg2 Rc3 38. Nd1 Rc2!, White=20 resigned.

The=20 illustrated items seen in the magazine can all be ordered from=20 uscfsales.com. The page numbers below refer to the Winter catalog = that was=20 included in your October issue: =

New-Fangled = Gizmo
The digital clock:
DGT Easy Game = Timer Plus,=20 #572, p. C7, = $39.95/$37.95

Old-Timer
The=20 mechanical clock:
Sturdy Mechanical Clock, wood casing, #1573, = p. C6,=20 $44.95/39.95

The wooden set:
ChessCafe = Special, 3-7/8=E2=80=9D King, #155, p. C10, = $49.95/$44.95

The=20 board is not in the Winter catalog. It is in the = supplemental=20 catalog in the center of the December issue:
ChessCafe Wooden = Chess=20 Board
(2.25=E2=80=9D squares), #210, $79.95/$69.95=20

=20

Read=20 or Write Comments on this Article
(51 so=20 far)

December = -=20 Chess Life Magazine 2007

Anand=E2=80=99s = Eight Steps to the=20 World Championship Bronstein:=20 I Played Chess For My Dad's Jailers Back to the = FuturityA=20 Second Scottish Enlightenment?Sunday In The = Park With=20 Maurice Turning Sludge = Into=20 Wine Timing is = EverythingLooks at=20 Books: A Tactical Cut AboveChess to=20 Enjoy: Our Annual Trivia Quiz Polgar's = PickWhat's The=20 Best Move: Missed WinsBack to=20 Basics: Draw on Demand Solitaire=20 Chess: You Don=E2=80=99t Have To Be Brilliant All The TimeEndgame=20 Lab: Carlsbad, 1907First Moves Counterplay USCF = Affairs2007 Annual=20 Index

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------=_NextPart_001_0049_01CAA06F.6D28B9C0 Content-Type: application/octet-stream Content-Transfer-Encoding: quoted-printable Content-Location: http://main.uschess.org/assets/games/gameview.php?gameID=1429 =EF=BB=BF Game of the Champions

=20

NY June Game 50 Open, 2003=20
White: Jacobs, Jon
Black: Kedyk, = Dmytro

1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 a6 6.Bg5 e6 7.f4 Qb6 8.Qd2 Qxb2 9.Nb3 Qa3 10.Bd3 Nbd7 11.O-O Be7 12.Nb1 Qa4 13.c4 h6 14.Nc3 Qc6 15.Bh4 Qc7 16.Rae1 Nxe4 17.Rxe4 Bxh4 18.f5 Bg5 19.Nd5 Qd8 20.fxe6 Bxd2 21.exd7+ Kxd7 22.Rxf7+ Kc6 23.Nd4+ Kc5 24.Nb3+ Kc6 25.Nd4+ Kc5 1/2-1/2=20

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=20

Marshal Chess Club, Game 30, = January=20 2004
White: Jacobs, Jon
Black: = Bercys

1.e4 c5 2.d3 d5 3.exd5 Qxd5 4.Nc3 Qd7 5.Be3 e5 6.f4 exf4 7.Bxf4 Be7 8.Nf3 Nf6 9.Qd2 O-O 10.O-O-O Nc6 11.Ne5 Nxe5 12.Bxe5 b5 13.Qg5 Ne8 14.Qg3 f6 15.Bf4 b4 16.Ne4 Qd5 17.b3 f5 18.Ng5 Qd4 19.Re1 Bf6 20.Be5 Qd8 21.Nf3 Bb7 22.d4 cxd4 23.Bc4+ Kh8 24.Nxd4 Bh4 25.Ne6 Bxg3 26.hxg3 Nf6 27.Nxd8 Raxd8 28.Rh4 h6 29.Bc7 Rd7 30.Bf4 Be4 31.Re2 Rfd8 32.Be5 Rf8 33.g4 Nxg4 34.Rxg4 fxg4 35.Rxe4 Re7 36.Bd6 Rxe4 37.Bxf8 1/2-1/2=20

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=20

2004 World Open, Under 2200=20
White: Kurtzman
Black: Jacobs, = Jon

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D.44=3D{5j:H(d,b){d=3Dd||S;G(d.16){7[0]=3Dd;7.K=3D1;I 7}G(1j = d=3D=3D"23"){J = c=3Du.2D(d);G(c&&(c[1]||!b)){G(c[1])d=3DD.4h([c[1]],b);N{J = a=3DS.61(c[3]);G(a){G(a.2v!=3Dc[3])I D().2q(d);I D(a)}d=3D[]}}N I = D(b).2q(d)}N G(D.1D(d))I D(S)[D.17.27?"27":"43"](d);I = 7.6Y(D.2d(d))},5w:"1.2.6",8G:H(){I 7.K},K:0,3p:H(a){I = a=3D=3D12?D.2d(7):7[a]},2I:H(b){J a=3DD(b);a.5n=3D7;I = a},6Y:H(a){7.K=3D0;2p.44.1p.1w(7,a);I 7},P:H(a,b){I = D.P(7,a,b)},5i:H(b){J a=3D-1;I D.2L(b&&b.5w?b[0]:b,7)},1K:H(c,a,b){J = d=3Dc;G(c.1q=3D=3D56)G(a=3D=3D=3D12)I = 7[0]&&D[b||"1K"](7[0],c);N{d=3D{};d[c]=3Da}I 7.P(H(i){R(c 1n = d)D.1K(b?7.V:7,c,D.1i(7,d[c],b,i,c))})},1g:H(b,a){G((b=3D=3D\'2h\'||b=3D=3D= \'1Z\')&&3d(a)<0)a=3D12;I 7.1K(b,a,"2a")},1r:H(b){G(1j = b!=3D"49"&&b!=3DU)I 7.4E().3v((7[0]&&7[0].2z||S).5F(b));J = a=3D"";D.P(b||7,H(){D.P(7.3t,H(){G(7.16!=3D8)a+=3D7.16!=3D1?7.76:D.17.1r(= [7])})});I a},5z:H(b){G(7[0])D(b,7[0].2z).5y().39(7[0]).2l(H(){J = a=3D7;1B(a.1x)a=3Da.1x;I a}).3v(7);I 7},8Y:H(a){I = 7.P(H(){D(7).6Q().5z(a)})},8R:H(a){I 7.P(H(){D(7).5z(a)})},3v:H(){I = 7.3W(19,M,Q,H(a){G(7.16=3D=3D1)7.3U(a)})},6F:H(){I = 7.3W(19,M,M,H(a){G(7.16=3D=3D1)7.39(a,7.1x)})},6E:H(){I = 7.3W(19,Q,Q,H(a){7.1d.39(a,7)})},5q:H(){I = 7.3W(19,Q,M,H(a){7.1d.39(a,7.2H)})},3l:H(){I 7.5n||D([])},2q:H(b){J = c=3DD.2l(7,H(a){I D.2q(b,a)});I 7.2I(/[^+>] = [^+>]/.11(b)||b.1h("..")>-1?D.4r(c):c)},5y:H(e){J = f=3D7.2l(H(){G(D.14.1f&&!D.4n(7)){J = a=3D7.6o(M),5h=3DS.3h("1v");5h.3U(a);I D.4h([5h.4H])[0]}N I 7.6o(M)});J = d=3Df.2q("*").5c().P(H(){G(7[E]!=3D12)7[E]=3DU});G(e=3D=3D=3DM)7.2q("*").= 5c().P(H(i){G(7.16=3D=3D3)I;J c=3DD.L(7,"3w");R(J a 1n c)R(J b 1n = c[a])D.W.1e(d[i],a,c[a][b],c[a][b].L)});I f},1E:H(b){I = 7.2I(D.1D(b)&&D.3C(7,H(a,i){I = b.1k(a,i)})||D.3g(b,7))},4Y:H(b){G(b.1q=3D=3D56)G(62.11(b))I = 7.2I(D.3g(b,7,M));N b=3DD.3g(b,7);J a=3Db.K&&b[b.K-1]!=3D=3D12&&!b.16;I = 7.1E(H(){I a?D.2L(7,b)<0:7!=3Db})},1e:H(a){I 7.2I(D.4r(D.2R(7.3p(),1j = 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d=3Dj[b];G(!d){d=3Dj[b]=3D{};G(!D.W.2t[b]||D.W.2t[b].4p.1k(f)=3D=3D=3DQ){= G(f.3K)f.3K(b,1H,Q);N = G(f.6t)f.6t("4o"+b,1H)}}d[g.24]=3Dg;D.W.26[b]=3DM});f=3DU},24:1,26:{},21:= H(e,h,f){G(e.16=3D=3D3||e.16=3D=3D8)I;J = i=3DD.L(e,"3w"),1L,5i;G(i){G(h=3D=3D12||(1j = h=3D=3D"23"&&h.8p(0)=3D=3D"."))R(J g 1n = i)7.21(e,g+(h||""));N{G(h.O){f=3Dh.2y;h=3Dh.O}D.P(h.1R(/\\s+/),H(b,a){J = c=3Da.1R(".");a=3Dc[0];G(i[a]){G(f)2U i[a][f.24];N R(f 1n = i[a])G(!c[1]||i[a][f].O=3D=3Dc[1])2U i[a][f];R(1L 1n = i[a])1X;G(!1L){G(!D.W.2t[a]||D.W.2t[a].4A.1k(e)=3D=3D=3DQ){G(e.6p)e.6p(a,= D.L(e,"1H"),Q);N G(e.6n)e.6n("4o"+a,D.L(e,"1H"))}1L=3DU;2U i[a]}}})}R(1L = 1n i)1X;G(!1L){J = d=3DD.L(e,"1H");G(d)d.T=3DU;D.3b(e,"3w");D.3b(e,"1H")}}},1P:H(h,c,f,g,i){= c=3DD.2d(c);G(h.1h("!")>=3D0){h=3Dh.3s(0,-1);J = a=3DM}G(!f){G(7.26[h])D("*").1e([1b,S]).1P(h,c)}N{G(f.16=3D=3D3||f.16=3D=3D= 8)I 12;J = b,1L,17=3DD.1D(f[h]||U),W=3D!c[0]||!c[0].32;G(W){c.6h({O:h,2J:f,32:H(){},= 3J:H(){},4C:1z()});c[0][E]=3DM}c[0].O=3Dh;G(a)c[0].6m=3DM;J = d=3DD.L(f,"1H");G(d)b=3Dd.1w(f,c);G((!17||(D.Y(f,\'a\')&&h=3D=3D"4V"))&&f= ["4o"+h]&&f["4o"+h].1w(f,c)=3D=3D=3DQ)b=3DQ;G(W)c.4s();G(i&&D.1D(i)){1L=3D= i.1w(f,b=3D=3DU?c:c.7d(b));G(1L!=3D=3D12)b=3D1L}G(17&&g!=3D=3DQ&&b!=3D=3D= Q&&!(D.Y(f,\'a\')&&h=3D=3D"4V")){7.5k=3DM;1U{f[h]()}1V(e){}}7.5k=3DQ}I = b},1H:H(b){J = a,1L,38,5f,4m;b=3D19[0]=3DD.W.6l(b||1b.W);38=3Db.O.1R(".");b.O=3D38[0];38= =3D38[1];5f=3D!38&&!b.6m;4m=3D(D.L(7,"3w")||{})[b.O];R(J j 1n 4m){J = c=3D4m[j];G(5f||c.O=3D=3D38){b.2y=3Dc;b.L=3Dc.L;1L=3Dc.1w(7,19);G(a!=3D=3D= Q)a=3D1L;G(1L=3D=3D=3DQ){b.32();b.3J()}}}I a},6l:H(b){G(b[E]=3D=3DM)I = b;J d=3Db;b=3D{8o:d};J c=3D"8n 8m 8l 8k 2s 8j 47 5d 6j 5E 8i L 8h 8g 4K = 2y 5a 59 8e 8b 58 6f 8a 88 4k 87 86 84 6d 2J 4C 6c O 82 81 35".1R(" = ");R(J = i=3Dc.K;i;i--)b[c[i]]=3Dd[c[i]];b[E]=3DM;b.32=3DH(){G(d.32)d.32();d.80=3D= Q};b.3J=3DH(){G(d.3J)d.3J();d.7Z=3DM};b.4C=3Db.4C||1z();G(!b.2J)b.2J=3Db.= 6d||S;G(b.2J.16=3D=3D3)b.2J=3Db.2J.1d;G(!b.4k&&b.4K)b.4k=3Db.4K=3D=3Db.2J= ?b.6c:b.4K;G(b.58=3D=3DU&&b.5d!=3DU){J = a=3DS.1C,1c=3DS.1c;b.58=3Db.5d+(a&&a.2e||1c&&1c.2e||0)-(a.6b||0);b.6f=3Db= .6j+(a&&a.2c||1c&&1c.2c||0)-(a.6a||0)}G(!b.35&&((b.47||b.47=3D=3D=3D0)?b.= 47:b.5a))b.35=3Db.47||b.5a;G(!b.59&&b.5E)b.59=3Db.5E;G(!b.35&&b.2s)b.35=3D= (b.2s&1?1:(b.2s&2?3:(b.2s&4?2:0)));I = b},3M:H(a,b){b.24=3Da.24=3Da.24||b.24||7.24++;I = b},2t:{27:{4p:H(){55();I},4A:H(){I}},3D:{4p:H(){G(D.14.1f)I = Q;D(7).2O("53",D.W.2t.3D.2y);I M},4A:H(){G(D.14.1f)I = Q;D(7).4e("53",D.W.2t.3D.2y);I M},2y:H(a){G(F(a,7))I M;a.O=3D"3D";I = D.W.1H.1w(7,19)}},3N:{4p:H(){G(D.14.1f)I Q;D(7).2O("51",D.W.2t.3N.2y);I = M},4A:H(){G(D.14.1f)I Q;D(7).4e("51",D.W.2t.3N.2y);I = M},2y:H(a){G(F(a,7))I M;a.O=3D"3N";I = D.W.1H.1w(7,19)}}}};D.17.1l({2O:H(c,a,b){I = c=3D=3D"4X"?7.2V(c,a,b):7.P(H(){D.W.1e(7,c,b||a,b&&a)})},2V:H(d,b,c){J = e=3DD.W.3M(c||b,H(a){D(7).4e(a,e);I(c||b).1w(7,19)});I = 7.P(H(){D.W.1e(7,d,e,c&&b)})},4e:H(a,b){I = 7.P(H(){D.W.21(7,a,b)})},1P:H(c,a,b){I = 7.P(H(){D.W.1P(c,a,7,M,b)})},5C:H(c,a,b){I = 7[0]&&D.W.1P(c,a,7[0],Q,b)},2m:H(b){J = c=3D19,i=3D1;1B(i=3D0){J = i=3Dg.3s(e,g.K);g=3Dg.3s(0,e)}c=3Dc||H(){};J = f=3D"2P";G(d)G(D.1D(d)){c=3Dd;d=3DU}N{d=3DD.3n(d);f=3D"6g"}J = h=3D7;D.3Y({1a:g,O:f,1O:"2K",L:d,1J:H(a,b){G(b=3D=3D"1W"||b=3D=3D"7J")h.2= K(i?D("<1v/>").3v(a.4U.1o(/<1m(.|\\s)*?\\/1m>/g,"")).2q(i):a.4U);h.P(c,[a= .4U,b,a])}});I 7},aL:H(){I D.3n(7.7I())},7I:H(){I 7.2l(H(){I = D.Y(7,"3V")?D.2d(7.aH):7}).1E(H(){I = 7.34&&!7.3R&&(7.4J||/2A|6y/i.11(7.Y)||/1r|1G|3Q/i.11(7.O))}).2l(H(i,c){J = b=3DD(7).6e();I = b=3D=3DU?U:b.1q=3D=3D2p?D.2l(b,H(a,i){I{34:c.34,2x:a}}):{34:c.34,2x:b}}).= 3p()}});D.P("7H,7G,7F,7D,7C,7B".1R(","),H(i,o){D.17[o]=3DH(f){I = 7.2O(o,f)}});J B=3D1z();D.1l({3p:H(d,b,a,c){G(D.1D(b)){a=3Db;b=3DU}I = D.3Y({O:"2P",1a:d,L:b,1W:a,1O:c})},aE:H(b,a){I = D.3p(b,U,a,"1m")},aD:H(c,b,a){I = D.3p(c,b,a,"3z")},aC:H(d,b,a,c){G(D.1D(b)){a=3Db;b=3D{}}I = D.3Y({O:"6g",1a:d,L:b,1W:a,1O:c})},aA:H(a){D.1l(D.60,a)},60:{1a:5Z.5Q,26:= M,O:"2P",2T:0,7z:"4R/x-ax-3V-aw",7x:M,31:M,L:U,5Y:U,3Q:U,4Q:{2N:"4R/2N, = 1r/2N",2K:"1r/2K",1m:"1r/4t, 4R/4t",3z:"4R/3z, = 1r/4t",1r:"1r/as",4w:"*/*"}},4z:{},3Y:H(s){s=3DD.1l(M,s,D.1l(M,{},D.60,s)= );J g,2Z=3D/=3D\\?(&|$)/g,1u,L,O=3Ds.O.2r();G(s.L&&s.7x&&1j = s.L!=3D"23")s.L=3DD.3n(s.L);G(s.1O=3D=3D"4P"){G(O=3D=3D"2P"){G(!s.1a.1I(2= Z))s.1a+=3D(s.1a.1I(/\\?/)?"&":"?")+(s.4P||"7u")+"=3D?"}N = G(!s.L||!s.L.1I(2Z))s.L=3D(s.L?s.L+"&":"")+(s.4P||"7u")+"=3D?";s.1O=3D"3z= "}G(s.1O=3D=3D"3z"&&(s.L&&s.L.1I(2Z)||s.1a.1I(2Z))){g=3D"4P"+B++;G(s.L)s.= L=3D(s.L+"").1o(2Z,"=3D"+g+"$1");s.1a=3Ds.1a.1o(2Z,"=3D"+g+"$1");s.1O=3D"= 1m";1b[g]=3DH(a){L=3Da;1W();1J();1b[g]=3D12;1U{2U = 1b[g]}1V(e){}G(i)i.37(h)}}G(s.1O=3D=3D"1m"&&s.1Y=3D=3DU)s.1Y=3DQ;G(s.1Y=3D= =3D=3DQ&&O=3D=3D"2P"){J j=3D1z();J = k=3Ds.1a.1o(/(\\?|&)3m=3D.*?(&|$)/,"$ap=3D"+j+"$2");s.1a=3Dk+((k=3D=3Ds.1= a)?(s.1a.1I(/\\?/)?"&":"?")+"3m=3D"+j:"")}G(s.L&&O=3D=3D"2P"){s.1a+=3D(s.= 1a.1I(/\\?/)?"&":"?")+s.L;s.L=3DU}G(s.26&&!D.4O++)D.W.1P("7H");J = n=3D/^(?:\\w+:)?\\/\\/([^\\/?#]+)/;G(s.1O=3D=3D"1m"&&O=3D=3D"2P"&&n.11(s.= 1a)&&n.2D(s.1a)[1]!=3D5Z.al){J i=3DS.3H("6w")[0];J = h=3DS.3h("1m");h.4d=3Ds.1a;G(s.7t)h.aj=3Ds.7t;G(!g){J = l=3DQ;h.ah=3Dh.ag=3DH(){G(!l&&(!7.3f||7.3f=3D=3D"68"||7.3f=3D=3D"1J")){l=3D= M;1W();1J();i.37(h)}}}i.3U(h);I 12}J m=3DQ;J c=3D1b.7s?2B 7s("ae.ac"):2B = 7r();G(s.5Y)c.6R(O,s.1a,s.31,s.5Y,s.3Q);N = c.6R(O,s.1a,s.31);1U{G(s.L)c.4B("ab-aa",s.7z);G(s.5S)c.4B("a9-5R-a8",D.4z= [s.1a]||"a7, a6 a5 a4 5N:5N:5N = a2");c.4B("X-9Z-9Y","7r");c.4B("9W",s.1O&&s.4Q[s.1O]?s.4Q[s.1O]+", = */*":s.4Q.4w)}1V(e){}G(s.7m&&s.7m(c,s)=3D=3D=3DQ){s.26&&D.4O--;c.7l();I = Q}G(s.26)D.W.1P("7B",[c,s]);J = d=3DH(a){G(!m&&c&&(c.3f=3D=3D4||a=3D=3D"2T")){m=3DM;G(f){7k(f);f=3DU}1u=3D= a=3D=3D"2T"&&"2T"||!D.7j(c)&&"3e"||s.5S&&D.7h(c,s.1a)&&"7J"||"1W";G(1u=3D= 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i > -1; i--) {=0A= tgt +=3D "," + tgtList.options[i].value + ","=0A= }=0A= =0A= //Pull selected resources and add them to list=0A= //for (var i=3DsrcLen-1; i > -1; i--) {=0A= for (var i=3D0; i < srcLen; i++) {=0A= if (srcList.options[i].selected && tgt.indexOf( "," + = srcList.options[i].value + "," ) =3D=3D -1) {=0A= opt =3D new Option( srcList.options[i].text, srcList.options[i].value = );=0A= tgtList.options[tgtList.length] =3D opt;=0A= }=0A= }=0A= }=0A= =0A= function delSelectedFromList( frmName, srcListName ) {=0A= var form =3D eval( 'document.' + frmName );=0A= var srcList =3D eval( 'form.' + srcListName );=0A= =0A= var srcLen =3D srcList.length;=0A= =0A= for (var i=3DsrcLen-1; i > -1; i--) {=0A= if (srcList.options[i].selected) {=0A= srcList.options[i] =3D null;=0A= }=0A= }=0A= }=0A= =0A= function moveInList( frmName, srcListName, index, to) {=0A= var form =3D eval( 'document.' + frmName );=0A= var srcList =3D eval( 'form.' + srcListName );=0A= var total =3D srcList.options.length-1;=0A= =0A= if (index =3D=3D -1) {=0A= return false;=0A= }=0A= if (to =3D=3D +1 && index =3D=3D total) {=0A= return false;=0A= }=0A= if (to =3D=3D -1 && index =3D=3D 0) {=0A= return false;=0A= }=0A= =0A= var items =3D new Array;=0A= var values =3D new Array;=0A= =0A= for (i=3Dtotal; i >=3D 0; i--) {=0A= items[i] =3D srcList.options[i].text;=0A= values[i] =3D srcList.options[i].value;=0A= }=0A= for (i =3D total; i >=3D 0; i--) {=0A= if (index =3D=3D i) {=0A= srcList.options[i + to] =3D new Option(items[i],values[i], 0, 1);=0A= srcList.options[i] =3D new Option(items[i+to], values[i+to]);=0A= i--;=0A= } else {=0A= srcList.options[i] =3D new Option(items[i], values[i]);=0A= }=0A= }=0A= srcList.focus();=0A= }=0A= =0A= function getSelectedOption( frmName, srcListName ) {=0A= var form =3D eval( 'document.' + frmName );=0A= var srcList =3D eval( 'form.' + srcListName );=0A= =0A= i =3D srcList.selectedIndex;=0A= if (i !=3D null && i > -1) {=0A= return srcList.options[i];=0A= } else {=0A= return null;=0A= }=0A= }=0A= =0A= function setSelectedValue( frmName, srcListName, value ) {=0A= var form =3D eval( 'document.' + frmName );=0A= var srcList =3D eval( 'form.' + srcListName );=0A= =0A= var srcLen =3D srcList.length;=0A= =0A= for (var i=3D0; i < srcLen; i++) {=0A= srcList.options[i].selected =3D false;=0A= if (srcList.options[i].value =3D=3D value) {=0A= srcList.options[i].selected =3D true;=0A= }=0A= }=0A= }=0A= =0A= function getSelectedRadio( frmName, srcGroupName ) {=0A= var form =3D eval( 'document.' + frmName );=0A= var srcGroup =3D eval( 'form.' + srcGroupName );=0A= =0A= if (srcGroup[0]) {=0A= for (var i=3D0, n=3DsrcGroup.length; i < n; i++) {=0A= if (srcGroup[i].checked) {=0A= return srcGroup[i].value;=0A= }=0A= }=0A= } else {=0A= if (srcGroup.checked) {=0A= return srcGroup.value;=0A= } // if the one button is checked, return zero=0A= }=0A= // if we get to this point, no radio button is selected=0A= return null;=0A= }=0A= =0A= function getSelectedValue( frmName, srcListName ) {=0A= var form =3D eval( 'document.' + frmName );=0A= var srcList =3D eval( 'form.' + srcListName );=0A= =0A= i =3D srcList.selectedIndex;=0A= if (i !=3D null && i > -1) {=0A= return srcList.options[i].value;=0A= } else {=0A= return null;=0A= }=0A= }=0A= =0A= function getSelectedText( frmName, srcListName ) {=0A= var form =3D eval( 'document.' + frmName );=0A= var srcList =3D eval( 'form.' + srcListName );=0A= =0A= i =3D srcList.selectedIndex;=0A= if (i !=3D null && i > -1) {=0A= return srcList.options[i].text;=0A= } else {=0A= return null;=0A= }=0A= }=0A= =0A= function chgSelectedValue( frmName, srcListName, value ) {=0A= var form =3D eval( 'document.' + frmName );=0A= var srcList =3D eval( 'form.' + srcListName );=0A= =0A= i =3D srcList.selectedIndex;=0A= if (i !=3D null && i > -1) {=0A= srcList.options[i].value =3D value;=0A= return true;=0A= } else {=0A= return false;=0A= }=0A= }=0A= =0A= // Form specific functions for editting content images=0A= =0A= function showImageProps(base_path) {=0A= form =3D document.adminForm;=0A= value =3D getSelectedValue( 'adminForm', 'imagelist' );=0A= parts =3D value.split( '|' );=0A= form._source.value =3D parts[0];=0A= setSelectedValue( 'adminForm', '_align', parts[1] || '' );=0A= form._alt.value =3D parts[2] || '';=0A= form._border.value =3D parts[3] || '0';=0A= form._caption.value =3D parts[4] || '';=0A= setSelectedValue( 'adminForm', '_caption_position', parts[5] || '' );=0A= setSelectedValue( 'adminForm', '_caption_align', parts[6] || '' );=0A= form._width.value =3D parts[7] || '';=0A= =0A= //previewImage( 'imagelist', 'view_imagelist', base_path );=0A= srcImage =3D eval( "document." + 'view_imagelist' );=0A= srcImage.src =3D base_path + parts[0];=0A= }=0A= =0A= function applyImageProps() {=0A= form =3D document.adminForm;=0A= if (!getSelectedValue( 'adminForm', 'imagelist' )) {=0A= alert( "Select and image from the list" );=0A= return;=0A= }=0A= value =3D form._source.value + '|'=0A= + getSelectedValue( 'adminForm', '_align' ) + '|'=0A= + form._alt.value + '|'=0A= + parseInt( form._border.value ) + '|'=0A= + form._caption.value + '|'=0A= + getSelectedValue( 'adminForm', '_caption_position' ) + '|'=0A= + getSelectedValue( 'adminForm', '_caption_align' ) + '|'=0A= + form._width.value;=0A= chgSelectedValue( 'adminForm', 'imagelist', value );=0A= }=0A= =0A= function previewImage( list, image, base_path ) {=0A= form =3D document.adminForm;=0A= srcList =3D eval( "form." + list );=0A= srcImage =3D eval( "document." + image );=0A= var srcOption =3D srcList.options[(srcList.selectedIndex < 0) ? 0 : = srcList.selectedIndex];=0A= var fileName =3D srcOption.text;=0A= var fileName2 =3D srcOption.value;=0A= if (fileName.length =3D=3D 0 || fileName2.length =3D=3D 0) {=0A= srcImage.src =3D 'images/blank.gif';=0A= } else {=0A= srcImage.src =3D base_path + fileName2;=0A= }=0A= }=0A= =0A= /**=0A= * Toggles the check state of a group of boxes=0A= *=0A= * Checkboxes must have an id attribute in the form cb0, cb1...=0A= * @param The number of box to 'check'=0A= * @param An alternative field name=0A= */=0A= function checkAll( n, fldName ) {=0A= if (!fldName) {=0A= fldName =3D 'cb';=0A= }=0A= var f =3D document.adminForm;=0A= var c =3D f.toggle.checked;=0A= var n2 =3D 0;=0A= for (i=3D0; i < n; i++) {=0A= cb =3D eval( 'f.' + fldName + '' + i );=0A= if (cb) {=0A= cb.checked =3D c;=0A= n2++;=0A= }=0A= }=0A= if (c) {=0A= document.adminForm.boxchecked.value =3D n2;=0A= } else {=0A= document.adminForm.boxchecked.value =3D 0;=0A= }=0A= }=0A= =0A= function listItemTask( id, task ) {=0A= var f =3D document.adminForm;=0A= cb =3D eval( 'f.' + id );=0A= if (cb) {=0A= for (i =3D 0; true; i++) {=0A= cbx =3D eval('f.cb'+i);=0A= if (!cbx) break;=0A= cbx.checked =3D false;=0A= } // for=0A= cb.checked =3D true;=0A= f.boxchecked.value =3D 1;=0A= submitbutton(task);=0A= }=0A= return false;=0A= }=0A= =0A= function hideMainMenu()=0A= {=0A= document.adminForm.hidemainmenu.value=3D1;=0A= }=0A= =0A= function isChecked(isitchecked){=0A= if (isitchecked =3D=3D true){=0A= document.adminForm.boxchecked.value++;=0A= }=0A= else {=0A= document.adminForm.boxchecked.value--;=0A= }=0A= }=0A= =0A= /**=0A= * Default function. Usually would be overriden by the component=0A= */=0A= function submitbutton(pressbutton) {=0A= submitform(pressbutton);=0A= }=0A= =0A= /**=0A= * Submit the admin form=0A= */=0A= function submitform(pressbutton){=0A= document.adminForm.task.value=3Dpressbutton;=0A= try {=0A= document.adminForm.onsubmit();=0A= }=0A= catch(e){}=0A= document.adminForm.submit();=0A= }=0A= =0A= /**=0A= * Submit the control panel admin form=0A= */=0A= function submitcpform(sectionid, id){=0A= document.adminForm.sectionid.value=3Dsectionid;=0A= document.adminForm.id.value=3Did;=0A= submitbutton("edit");=0A= }=0A= =0A= /**=0A= * Getting radio button that is selected.=0A= */=0A= function getSelected(allbuttons){=0A= for (i=3D0;i=3D 4) { win.window.focus(); }=0A= }=0A= =0A= // LTrim(string) : Returns a copy of a string without leading spaces.=0A= function ltrim(str)=0A= {=0A= var whitespace =3D new String(" \t\n\r");=0A= var s =3D new String(str);=0A= if (whitespace.indexOf(s.charAt(0)) !=3D -1) {=0A= var j=3D0, i =3D s.length;=0A= while (j < i && whitespace.indexOf(s.charAt(j)) !=3D -1)=0A= j++;=0A= s =3D s.substring(j, i);=0A= }=0A= return s;=0A= }=0A= =0A= //RTrim(string) : Returns a copy of a string without trailing spaces.=0A= function rtrim(str)=0A= {=0A= var whitespace =3D new String(" \t\n\r");=0A= var s =3D new String(str);=0A= if (whitespace.indexOf(s.charAt(s.length-1)) !=3D -1) {=0A= var i =3D s.length - 1; // Get length of string=0A= while (i >=3D 0 && whitespace.indexOf(s.charAt(i)) !=3D -1)=0A= i--;=0A= s =3D s.substring(0, i+1);=0A= }=0A= return s;=0A= }=0A= =0A= // Trim(string) : Returns a copy of a string without leading or trailing = spaces=0A= function trim(str) {=0A= return rtrim(ltrim(str));=0A= }=0A= =0A= function mosDHTML(){=0A= this.ver=3Dnavigator.appVersion=0A= this.agent=3Dnavigator.userAgent=0A= this.dom=3Ddocument.getElementById?1:0=0A= this.opera5=3Dthis.agent.indexOf("Opera 5")<-1=0A= this.ie5=3D(this.ver.indexOf("MSIE 5")<-1 && this.dom && = !this.opera5)?1:0;=0A= this.ie6=3D(this.ver.indexOf("MSIE 6")<-1 && this.dom && = !this.opera5)?1:0;=0A= this.ie4=3D(document.all && !this.dom && !this.opera5)?1:0;=0A= this.ie=3Dthis.ie4||this.ie5||this.ie6=0A= this.mac=3Dthis.agent.indexOf("Mac")<-1=0A= this.ns6=3D(this.dom && parseInt(this.ver) <=3D 5) ?1:0;=0A= this.ns4=3D(document.layers && !this.dom)?1:0;=0A= = this.bw=3D(this.ie6||this.ie5||this.ie4||this.ns4||this.ns6||this.opera5)= ;=0A= =0A= this.activeTab =3D '';=0A= this.onTabStyle =3D 'ontab';=0A= this.offTabStyle =3D 'offtab';=0A= =0A= this.setElemStyle =3D function(elem,style) {=0A= document.getElementById(elem).className =3D style;=0A= }=0A= this.showElem =3D function(id) {=0A= if (elem =3D document.getElementById(id)) {=0A= elem.style.visibility =3D 'visible';=0A= elem.style.display =3D 'block';=0A= }=0A= }=0A= this.hideElem =3D function(id) {=0A= if (elem =3D document.getElementById(id)) {=0A= elem.style.visibility =3D 'hidden';=0A= elem.style.display =3D 'none';=0A= }=0A= }=0A= this.cycleTab =3D function(name) {=0A= if (this.activeTab) {=0A= this.setElemStyle( this.activeTab, this.offTabStyle );=0A= page =3D this.activeTab.replace( 'tab', 'page' );=0A= this.hideElem(page);=0A= }=0A= this.setElemStyle( name, this.onTabStyle );=0A= this.activeTab =3D name;=0A= page =3D this.activeTab.replace( 'tab', 'page' );=0A= this.showElem(page);=0A= }=0A= return this;=0A= }=0A= var dhtml =3D new mosDHTML();=0A= =0A= function MM_findObj(n, d) { //v4.01=0A= var p,i,x;=0A= if(!d) d=3Ddocument;=0A= if((p=3Dn.indexOf("?"))>0&&parent.frames.length) {=0A= d=3Dparent.frames[n.substring(p+1)].document; n=3Dn.substring(0,p);=0A= }=0A= if(!(x=3Dd[n])&&d.all) x=3Dd.all[n];=0A= for (i=3D0;!x&&i div =3D document.getElementById('content'); if (div) { divHeight =3D 0; if (div.offsetHeight) divHeight =3D div.offsetHeight; else if (div.style.pixelHeight) divHeight =3D = div.style.pixelHeight; if (divHeight < minHeight) div.style.height =3D = minHeight+"px"; } } // Run the script when page loads window.onload=3Dfunction(){ minimumHeight(); } // Run the script when page is resized window.onresize=3Dfunction(){ minimumHeight(); } //safe function to hide an element with a specified id function hidediv(id) { if (document.getElementById) { // DOM3 =3D IE5, NS6 document.getElementById(id).style.display =3D 'none'; } else { if (document.layers) { // Netscape 4 document.id.display =3D 'none'; } else { // IE 4 document.all.id.style.display =3D 'none'; } } } //safe function to show an element with a specified id function showdiv(id) { if (document.getElementById) { // DOM3 =3D IE5, NS6 document.getElementById(id).style.display =3D 'block'; } else { if (document.layers) { // Netscape 4 document.id.display =3D 'block'; } else { // IE 4 document.all.id.style.display =3D 'block'; } } } ------=_NextPart_000_0000_01CAA06F.6D1F1CD0 Content-Type: application/octet-stream Content-Transfer-Encoding: quoted-printable Content-Location: http://main.uschess.org/templates/uscf14/js/newWindows.js ------=_NextPart_000_0000_01CAA06F.6D1F1CD0--

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